Oh James: looking at the new Bond PDF Print E-mail
Written by Paul Baines   
Thursday, 26 February 2009 00:00
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If you want to look at masculinity through film over the past 50 years, no other character than James Bond will do.  After 22 films, Bond’s brand of masculinity is repeatedly re-launched to match the changing times.  Yet some traits still stick to Bond.  He is always tough, sexy, loyal (to his country), sophisticated, charming, well-dressed, independent, and plugged-in to the flashiest spy-geek gear available to the imagination.

The character was created by author Ian Flemming 55 years ago and has been played by a series of historically-suited actors: Sean Connery, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig.  I’ve been curious about the last 2 Bond films played by Craig (Casino Royale and Quantum of Solace) because I (and may others) felt that the re-branding was in another cycle.

The DVD extras in Casino Royal has a documentary called Bond Girls are Forever which tracked how Bond girls have changed over the years (sadly not up to date on the last 2 films).  It took a light approach to feminist critiques of the role, but it was clear that the women (girls?) were becoming tougher, smarter, and more active over the decades.  Bitch Magazine’s blog details some the ways Camille (played by Olga Kurylenko) in Quantum of Solace is part of this trend.  She has her own motives, enemies, strategies, wit, speed, and punch, and when needed – drives the car!  No longer just sex objects for the audience’s and Bond’s pleasure, these female characters also reveal something about the new Bond and the changing audience assumptions about gender.


It was hard to ignore the buzz about the new Bond because not only was he blond, but buff.  Brian D. Johnson interviews Craig and writes:

Craig is the most athletic Bond we've seen, but the bar has been raised since Connery idled through his later films with a marshmallow belly and a rug of chest hair. "You read Fleming," says Craig, "and it's like Bond gets up in the morning, has six scrambled eggs made with cream, eight rashers of bacon, four cups of espresso, does 20 press-ups and smokes 20 cigarettes, then has a shot of something. Attitudes have changed. We probably do live in a world of body-fascism now."
In fact the only other person I could convince to watch Casino Royal with me was a gay friend excited about Bond’s new sexy looks.  I thought we were watching a stylish action film but maybe it was some kind of Straight Guy for the Queer Eye?  Johnson puts it this way:  "Now Bond-sploitation had come full circle: in Casino Royale, the hottest sex object was not another Bond girl, but Bond himself."


Several times in these last 2 Bond films I noticed the camera and my eyes lingering on Craig’s body.  A gaze usually reserved for women’s body parts is now fixed on Bond’s bod.  Many action films (especially ones in the 80’s and 90’s) also display powerful male bodies, but these Bond films are different.  We gaze on Craig’s body not as a weapon, but as an object of desire or at least admiration and awe.

The scenes where he is the most stripped are intimate ones where Bond is just being himself with no fighting and no posturing.  If he is saying “look at me” he’s talking in a gentle soft voice instead of yelling and snarling.  We know Bond is a trained spy and assassin, running down and busting up 'bad guys', but the big difference here is that his body is more of a treat, and less of a threat.

What’s going on with men and their bodies in popular culture?  Is there a growing obsession with male body image?  It’s nice to see women not being the only sex symbols out there, but is this really the kind of equality we’re looking for?  What are some new ways men can be portrayed on the big or small screen?  Is there anything going on below the surface here?

Kevin Sessums interviews Craig
and undresses Bond’s masculinity even more.  Explaining Craig’s history, Sessums writes:
His mother and sister are two of the most important people in his life. He is still close to his ex-wife. And his longtime girlfriend, Satsuki Mitchell, a movie producer, is another steady presence. All this female energy around him may explain why Craig’s masculinity onscreen is not off-putting but forged instead with a kind of fierce sensitivity.
If men’s relationships with women are close and healthy, male actors can represent this experience on screen with confidence.  Or male writers and directors can support each other to make movies with an exciting range of male experiences.  Maybe actors can show other men how to be powerful, without being a Terminator.  Or these roles can be more accepted since more men understand or are open to changes in gender stereotypes.  In the context of Bond movies and a cultural environment full of one-dimensional love-em or kill-em characters, I think Craig’s “fierce sensitivity” is something worth talking about in a positive way.



In his own words Craig admits:
There are people on this planet where you go, 'Oops, no, I don’t even want to look that person in the eye,' and that real scariness is not something I’m capable of. That’s something maybe De Niro is capable of at his best. But that’s not me. As tough a role as I have to play, I’m always just me. It’s good to be in touch with as much of yourself as possible. Otherwise, you’re a rather one-note performer. Who wants to be the tough guy and nothing else?

What are other examples of this “fierce sensitivity” in popular culture?  What changes do you see in the ways men are being portrayed in film?

 

*****

by Paul Baines

Paul is a media educator and organizer.  He does workshops with GlobalAware Independent Media on issues of consumerism, war & peace, water, media democracy, and masculinity.  His website is  MediaMindful.

Last Updated on Sunday, 19 April 2009 16:09
 
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danlevy  - A gentler Oscar?   |Author |2009-02-25 19:44:44
Let's look at the films that were nominated for best picture in Sunday's Oscar ceremony. I have to admit that I still haven't seen many them, but at first glance, they all seem to feature pretty unorthodox male leads:

Frost/Nixon-- foppish British journalist and highly insecure American leader
Milk-- gay civil rights leader
The Reader-- adolescent boy- turned ever-sensitive Ralph Fiennes
Slumdog Millionaire-- scrawny, boyish Romeo
Benjamin Button-- make-up clad Brad Pitt who literally morphs into a baby (losing his manhood...) as film progresses.

3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."

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